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In This Issue

Spring/Summer 2022

Photos/Images

Image 1: What Do Julius Streicher and David Simon Have in Common?
Collage by Ishmael Reed and Tennessee Reed.
Image 2: Jersey City, NJ from Battery Park City
on April 8, 2022. Photo by Tennessee Reed
Image 3: Mildred Howard’s Installation
“The House That Will Not Pass For Any Color Than Its Own”
at Battery Park City on April 8, 2022. Photo by Tennessee Reed.
Image 4: The Tribes Exhibit at the Whitney Biennial
on April 8, 2022. Photo by Tennessee Reed.
I mage 5: The Tribes Exhibit at the Whitney Biennial
on April 8, 2022. Photo by Tennessee Reed.
Image 6: Tennessee Reed at the Tribes Exhibit
at the Whitney Biennial on April 8, 2022.
Photo by Valerie Hird.
Image 7: Tennessee Reed Reading at the Whitney Biennial
on April 8, 2022. Photo by Monisha Shiva.
Image 8: The Met Cloisters on April 9, 2022.
Photo by Tennessee Reed.
Image 9: The Indoor Courtyard at the Met Cloisters
on April 9, 2022. Photo by Tennessee Reed.
Image 10: View of the Hudson River from the Met Cloisters
on April 9, 2022. Photo by Tennessee Reed.
Image 11: Vaulted Ceilings at the Met Cloisters
on April 9, 2022. Photo by Tennessee Reed.
Image 12: Window at the Met Cloisters
on April 9, 2022. Photo by Tennessee Reed.
Image 13: The Medieval Garden at the Met Cloisters
on April 9, 2022. Photo by Tennessee Reed.
Image 14: The Medieval Garden at the Met Cloisters
on April 9, 2022. Photo by Tennessee Reed.
Image 15: View from Little Island @ Pier 55
on April 10, 2022. Photo by Tennessee Reed.
Image 16: View from Little Island @ Pier 55
on April 10, 2022. Photo by Tennessee Reed.
Image 17: View from Little Island @ Pier 55
on April 10, 2022. Photo by Tennessee Reed.
Image 18: Quincy Troupe, Tennessee Reed,
Margaret Porter Troupe and Nancy Mercado
at Rancho Tequielria on April 10, 2022.
Image 19: Algernon Miller: Painting After Art is Dead.
Image by Algernon Miller.

Editorial

What Do Der Sturmer’s Julius Streicher and David Simon
Have in Common? by Publisher

Essays

Fiction

The Other House on the Hill in the Country,
Or the Legend of Hook Man Finger, Part I
by David Fishkind

Interview

Algernon Miller on Afrofuturism by Molly Guillermo

Poetry/Prose

Response

The Stars Through My Window
(A Response to Ishmael Reed’s “Lady Stardust”)
by Blaise Zerega

Reviews

Virus Watch

Virus Watch Part V
by Ishmael Reed, Tennessee Reed and Michael LeNoir