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The Man Who Fell Inside His Horn by Rashida Ismali
He wishes to be
entombed
inside a metallic womb
where closed sides
tunnel him
and, he is safe.
His fingers tap
little heads
and valves throb
pumping, pulsating
melodies.
His hands paint
images of his heart
and head.
Reluctant he stands,
legs apart,
eyes shut out
smiling faces,
and nodding heads.
His ears hear his horn
cry out against
a loud laugh,
a crude voice,
cutting cords
his music makes.
He wants only
to go deep inside
the storage unit
of his compositions,
to bring the reality
of notes he translates
from ancestors who speak
in night-time dreams
and daily fantasies.
The hurt his horn sings
birthing a jubilant sont
in his head. Intoxicated,
he sweats and rivulets of water
pour from his brow.
His mouth and tongue
spit fire and thunder.
Staccato and sibilant,
his new music gushes you
onto the heads
of disbelievers. Yes,
this is where he lives,
in a house where melody
and rhythm dwell
within space and time.
Slowly he peels each wet item;
his soaked white shirt
underneath
a dark blue jacket.
A tie, green and blue
hangs atop his horn case.
Next the sleeveless tee shirt
falls to the floor.
All, all that covers his body
is wet. The embryonic sac
has broken. His water flows
and his children have fled
the entrapment of page and horn.
These babies are cradled
in the hearts and brains
of those who witness their birth.
He is a father of many.
His are now orphans
and he weeps for them.
Naked he stands in a small room
turning slowly looking for
the mother who
did not carry to term
his descendants, now
making their way amongst
those who are insatiable
in their needs to drain
from him one more.
Encore! Encore! Encore!
There are fifteen minutes left.
He dries and opens his magic box.
Inside he pulls an elastic band,
and a white ball of cotton.
The smell of alcohol
perfumes the room.
He cooks a fast meal.
Ingest and dresses.
One more set waits
on a makeshift stage
where drums sit gleaming.
His change of clothes
encase his slim body.
Beige becomes him.
The men assemble.
He stands at the ready
in the middle counting.
Contractions come
sharp and swift. Yes,
It's time. Uh-uh- uh-uh-uh.
Medication dulls pangs of birth.
Music flows from his mouth.
His head is elevated.
His breath is expansive
and supports his tessitura.
He wants to slide down
a gleaming hole
and hide in the comfort
of a womb his
horn makes.
Yes, that is why
when not playing,
he sleeps in the arms
of pianissimo sostentamento.
This painting he mouths,
rests below the dermis.
So, he picks up his axe
and chops a tree. There
in the twine of roots
his children call him
to come play
in holes where
their mother waits
to make an anthem of life.
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